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Pro Bodybuilders eat about one gram (sometimes even 1.5 grams) of protein per pound of body weight or per pound of non-fat tissue. I'm sure you've seen that the recommended dail

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Showing posts with label Viparita Karani. Show all posts
Showing posts with label Viparita Karani. Show all posts

Wednesday, June 8, 2016

Featured Pose: Legs Up the Wall Pose (Viparita Karani)


by Baxter
This is one of our students’ very favorite poses (and ours, too!). Because this pose is a supported inversion, it triggers the relaxation response, so it’s an excellent remedy for stress and anxiety. And because is very comfortable for most people and the support of the wall or chair allows you to stay in the pose for 10 to 20 minutes, it allows you to spend an extended period in the Rest and Digest state, which will benefit your digestion and immune system.

The pose also provides physical benefits. It stretches the backs of your legs and the versions with a lifted pelvis open your chest and help restore the natural curve of your spine. Because the pose reverses the effects of gravity on your legs, it can help with swelling of the feet and ankles.

Baxter prescribes this for:
  • leg fatigue
  • peripheral edema (swelling of feet and legs)
  • low back pain
  • foot pain
  • recovery from ankle sprains or plantar fasciitis
  • stress management
  • anxiety or agitation

Timing: As long as you are comfortable, hold the pose for 10 or more minutes. If your feet or legs begin to tingle or fall asleep, try bending your knees slightly to see if that helps, or come out of the pose. Using a timer may help you relax more completely. When you come out of the pose, sit for a minute or so on your prop (if you are using one) with your back to the wall before moving on. 

Cautions: This pose is generally very safe, especially version 4. Just be careful to guide yourself into the pose slowly to avoid dropping your head too quickly to the floor. Those of you with symptomatic hiatal hernias or acid reflux may not be able to lie flat, so try keeping your hips on the floor but add a prop under your chest (as in Reclining Cobblers with a blanket support for spine and head) or skip the pose entirely.  

1. Classic Version
(Sorry, photo doesn't match prop description—need a new one—although this is a good way to practice, too.)
To set up, place your mat with the short end at the wall. Then place a bolster on the mat so it is about six inches away from the wall (depending on your body type, you may need to move it further away) and parallel to it. 

To come into the pose, sit near the end of the bolster with your side to the wall, knees bent and feet on the floor. Then swivel toward the wall, extending your legs up the wall as you use your hands to slowly lower your chest and head to the mat. Make sure the back of your pelvis is resting evenly on the top center of the bolster, that your legs are straight, and your feet are hips-distance apart, with the heels resting on the wall. (If you can’t straighten your legs in the pose, try moving the bolster further from the wall or practice version 4.) Relax your arms out to your sides in a comfortable position. Once you’re comfortable, close your eyes and practice either simple breath awareness or your meditation technique. 

To come out of the pose, slide your feet down the wall and bend your knees towards your chest. Then, gently roll to one side to come off the bolster and use your hands to slowly press yourself up to sitting.  

2. Pelvis on a Blanket 
This version is a good alternative if the classic version hurts your lower back, you need padding to support a sore sacrum, or you don’t own a bolster. If you are using the pose for stretching your legs, this version provides a slightly more intense stretch. 

To set up, fold a blanket into a long, narrow rectangle that is about the same length and width as a bolster. Then set up as you would for the classic pose using the blanket in place of the bolster. To come into the pose, sit on the end of the blanket with your side to the wall, your knees bent and soles of the feet on the floor. Then follow the instructions for entering classic pose, adjusting the position of your pelvis and the prop if needed. Once you are comfortable, follow the instructions in the classic version for finding a mental focus. 

To come out of the pose, follow the instructions for the classic version.

3. Legs Up the Wall with No Pelvic Support 
This version is a good alternative for those who don’t feel comfortable with the prop or who don’t have a suitable one. It’s also an excellent way to stretch the backs of your legs when they are stiff from overuse or to warm them up for other poses, and is an effective way to rest your lower back when it is feeling sore.

To come into the pose, sit with your side to the wall, about 6 inches from the wall, with your knees bent and soles of the feet on the floor. Then follow the instructions for entering classic pose. After you’re up, you can shift your pelvis closer or further from the wall if necessary.

Once you are comfortable, follow the instructions in the classic version for finding a mental focus. To come out of the pose, follow the instructions for the classic version.  

4. Easy Inverted Pose
This version is a good alternative for those who have low back or leg pain in the classic pose, or who just can’t get comfortable in that version. It’s also a good starting version if you want to work towards the full pose but are limited by hamstring or hip tightness.

To set up, position your mat away from the wall with a chair at one end of the mat, facing the other end. Place a folded blanket or yoga mat on the chair seat. Fold one or two blankets into long, thin rectangles the size of a bolster, and place it (or them) about a foot away from the chair seat. If desired, you can place another folded blanket on the mat to cushion your head. 

To come into the pose, sit near the end of the rectangular blanket, with your side to the chair, knees bent and feet on the floor. Then swing your calves up onto chair seat as you use your hands to guide your torso and head to the floor. If your calves are not resting comfortably on the chair seat, adjust the position of the your hips (and the prop) closer or further to the chair, as needed. Most of you will need to extend your feet through the space between the chair seat and back. Once you are comfortable, follow the instructions in the classic version for finding a mental focus.

To come out of the pose, move your knees towards your chest and place your feet on the front edge of the chair. Then following the instructions for coming out of the classic version.

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Thursday, June 27, 2013

Featured Pose: Legs Up the Wall Pose (Viparita Karani)

by Baxter and Nina

Viparita Karani, often called Legs Up the Wall pose (a more accurate name is Inverted Lake pose), is one of our very favorite poses. Because this pose is a supported inversion, it triggers the relaxation response (see The Relaxation Response and Yoga). It is also comfortable for most people, and the support of the wall allows you to stay in the pose for a good long while, making it a perfect pose for stress reduction or pacifying an over-active nervous system. In fact, this is Nina’s go-to pose for challenging times. It can be practiced on it its own, as part of restorative or supported inversion sequence, or as an emotional counter-pose at the end of any other kind of sequence.

This pose also stretches your leg muscles using gravity, so it’s a wonderful antidote to taking a long hike and, if you’re struggling with tight hamstrings, it’s a great way to passively let your leg muscles lengthen without engaging the front leg muscles.  And it is a perfect solution for swollen feet and/or ankles (a not uncommon occurrence in summer time or for those on their feet all day long).

We’re showing two different types of propping for the pose: a bolster under the pelvis and a folded blanket under the pelvis. Using the bolster lifts your pelvis higher, creating more of an inversion and thereby making it more effective for stress reduction. However, some people find the bolster irritates their lower backs. In this case, it’s best to use a folded blanket under your pelvis instead. And, of course, not everyone has a bolster so you may need to use blankets for that reason (see Making Your Own Yoga Props). If both versions are irritating to you for any reason, you can try scooting your hips gradually a bit further away from the wall, in order to find your personal sweet spot.  If you move too far out, you run the risk of hyper-extending your knees and getting some knee discomfort. So stay mindful of this as you tinker to get it just right. And if you can’t find a sweet spot, you can try the pose flat on your back, without a prop under your pelvis.

If none of these versions make you happy—some people with tight hamstrings just can’t get comfortable—try the version with your legs bent and resting on a chair (see Easy Inverted Pose).

If your legs fall asleep while you’re in the pose (that doesn’t usually happen until after at least 10 minutes, try slightly bending your knees for a minute or so. If you then restraighten your knees, you may find the tingling feeling stays away for a while. Alternatively, it may be a sign that it is time for you to come out of the pose.

Baxter prescribes this pose for:

•    leg fatigue
•    peripheral edema (swelling of feet and legs)
•    low back pain
•    foot pain
•    recovery from ankle sprains or plantar fasciitis
•    stress management
•    soothing yourself when you are anxious or agitated

Instructions:


1. Setting Up Your Props. Although we don’t show it, if the room is not carpeted, you might want to set up a yoga mat with the short end at the wall, to provide a little cushioning for your body. Then, depending on the height you want under your pelvis, place just your bolster, a stack of one or two blankets folded into rectangles, or a bolster on top of a folded blanket parallel to the wall but at least six inches away from the wall. It is important to place the prop at least six inches away from the wall and not next to it, otherwise, you will slide off the prop when you go into the pose! Then, if you want a blanket under your head and spine, place a single blanket folded into a rectangle perpendicular to the bolster. 

2. Getting Up into the Pose. For some reason, this is a little tricky for beginners, but once you get used to it, going in and out of this pose becomes second nature. Start by sitting at one end of the prop, with your side to the wall, and your hips touching the wall. Then, placing your hands on the floor or bolster to steady yourself, swing your legs up onto the wall and lie back on the floor.


At this point, you may need to scoot your buttocks a bit toward the wall, so hold onto the bolster as you do so to keep it from moving. Ideally, your tailbone should be hanging just off the bolster so your lower back is nicely curved, but if this is uncomfortable for you, try scooting your pelvis back until you find your sweet spot.

From here, place your arms alongside your body, out to the sides or in a cactus position (like a sleeping baby).

3. Being In the Pose. As you relax in the pose with your eyes closed, either keep your legs together and lightly active or, if your heels don’t slip down the wall when you do so, try relaxing your legs, allowing them to turn out a bit. Experiment to see which version is more comfortable for you. Alternatively, you can tie a strap around your thighs, just above the knees, to keep your legs together without effort. If you have an eye pillow or silk scarf, that can help enhance your relaxation. To feel the full effects of the pose, stay for at least 10 minutes (Nina often stays for 15 to 20 minutes), though, of course, shorter periods are also beneficial.

4. Coming Out of the Pose.
When you are ready to come out, bend your knees and place the soles of your feet on the wall. Then, either use your feet to push yourself away from the wall and off the prop (and then slowly roll over onto your side before coming up to sitting) or slowly roll off the prop onto your side. On your side, take a couple of deep breaths, and then use your hands to slowly come up to a seated position (moving quickly will stimulate your nervous system).


Cautions: For those with low back pain, make sure to set up your props so you are entirely comfortable. If that means coming out of the pose and rearranging your props, go ahead and do it. This pose should not be painful; if it is, come out and do the bent leg version, which we call Easy Inverted pose.

If you have uncontrolled high blood pressure, do Easy Inverted pose instead. If your blood pressure is controlled, you can give the full pose a try. However, if Legs Up the Wall does not feel good for you, err on the side of caution and practice Easy Inverted pose instead.

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Thursday, December 15, 2011

Friday Q&A: Sequencing Two Poses

Q: I love the variation of Viparita Karani with the chair. I also love Knees to Chest, which you featured in an earlier post. What I am wondering is should I do a pose in between these 2 as a transition or is it OK to go back & forth between the 2?

A: There’s no need to do any poses between these two, as they’re both gentle, symmetrical poses. It’s only when you are doing a deep forward bend, backbend, or twist that you might want to consider a counter-pose.

Can you go back and forth between the two? Personally, if I were going to sequence these two poses, I’d do the Knees to Chest pose (see here) first because moving with your breath is slightly stimulating. Even if you don't move with your breath in this pose, you are actively engaging your muscles, which makes this an active, rather than passive pose. I’d follow Knees to Chest pose with the Viparita Karani variation (see here) because this is a deeply relaxing passive pose, and it’s traditional to finish your practice in a state of relaxation. Put them together, and you’ve just created a nice little mini practice for winding down at the end of the day.

In general, a good way to sequence poses is in an arc like this:

1. Warm-up poses
2. Active poses
3. Counter poses and/or cool-down poses
4. Relaxation poses

—Nina

I agree that the poses are fine sequenced as Nina suggested, especially if you are ultimately trying to quiet the nervous system. However, if you needed a rest but wanted to do a mild stimulation of system prior to heading back into your day, you could reverse them. I don’t think any particular pose needs to go between them, but both would be a nice counter-pose sequence at the end of a back bend practice.

—Baxter

Thursday, September 22, 2011

Can't Begin to Tell You


by Nina Zolotow
Path in the Mist by Brad Gibson
It was an idyllic Sunday afternoon in Seattle, warm weather, blue skies, and the company of old friends. During a lull in the conversation, J asked me, “Nina, could you show me that yoga pose you told me about, the one for stress that you said anyone can do? And could you repeat what you told me about the relaxation response and how the pose helps trigger that?”

As I did my best to demonstrate Savasana (Relaxation Pose) with legs on a chair using the lawn and the outdoor furniture as my yoga props, I reflected on how many times I get asked questions like these by my friends. And while I quite enjoy explaining the basics to both friends and students, I’ve always wished there was a place where I could send people to look up the poses and practices when they are on their own. My hope now is for this blog to become that place, an ongoing resource of practices and information that I personally have found helpful over the years.

As a long-time yoga practitioner, I’ve been using my home practice for years to help me address my changing physical and emotional needs. I’ve learned to ask myself each day, “What is the best practice for me today? Do I need to stretch to make up for a day of hiking or do I need to do backbends to make up for day spent in front of a computer? Do my problematic shoulders need attention? Or do I need to do a calming practice to restore my equanimity after a stressful day?” When my mother was dying of cancer, I was able to spend a lot of time with her. But I also understood how important it was for me to stay strong and steady for the long haul. So after each visit with her, I would come home and spend 20 minutes in my go-to relaxation pose, Viparita Karani (Legs Up the Wall pose). I can’t begin to tell you how helpful this was for me (and I’m someone who in the past had terrible problems with anxiety and stress).

But what works for me won’t necessarily work for you. We all have different bodies, personalities, and needs. That’s why I’m hoping to make this blog very interactive, a place where you ask questions and request information, and where we can all learn together.

For those who are interested in trying the relaxation pose I was demonstrating to my friend in Seattle, here is a short video that’s pretty good. I have one quibble with it, however. If you pay close attention you’ll notice that although the teacher first says that the folded blanket should be at the base of the chair legs, she moves the blanket away from the chair legs just she goes into the pose. Do what she does not what she says, people! The blanket should be 6 to 12 inches from the chair legs, so that the angle of your thighs when you are in the pose is easy and comfortable, and so your calves can release and relax on the chair seat. If you find the blanket under your pelvis irritates your back, you can do the pose without it.
What I love about this pose (which goes by many names but which Baxter and I are calling “Easy Inverted Pose”) is that unlike most of the other inverted poses, which can be difficult or uncomfortable for some practitioners, almost everyone can do this one comfortably.

Tomorrow we'll have our first Q&A.

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