How Much Protein You Need and

Pro Bodybuilders eat about one gram (sometimes even 1.5 grams) of protein per pound of body weight or per pound of non-fat tissue. I'm sure you've seen that the recommended dail

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Wednesday, April 11, 2012

Sequencing in the Style of Krishnamacharya, Part 2

by Baxter

Last week, I introduced a few key concepts for you to consider as you think about trying to design a home practice using T. Krishnamacharya’s approach (see Sequencing in the Style of Krishnamacharya).  Before diving into today’s discussion, you might want to take a few seconds to review that post. As we build our understanding of how to put a practice together, I’d like to share another foundational perspective and also introduce the concept of the “mini-vinyasa.”

In addition to having an eye to a goal for your practice, and understanding which stage of life you are in and what additional work or reflection you need to do as you start your practice, you need to evaluate on any given day whether your overall system in a state of fatigue, depletion or weakness or if you are in relative good health, energized, strong and balanced. Once you have an honest sense of that, you can apply another essential concept to how you will design and approach the yoga today.

Two terms help to clarify the way in which you will practice and even the attitude you will cultivate as you work: brahmana and langhana. Both concepts are very helpful when you are addressing injury or illness, but I find them helpful for everyday practice as well. And although Desikachar first connects these terms to how you breathe as you move between poses, I find the concepts can also be applied more generally.

Brahmana, which can translate as “to expand,” refers to a lengthening of the inhalation, with the possibility of adding a short pause or retention at the end of the inhale. This tends to energize and heat the body, which could be perfect for someone who’s underlying energy is a bit sluggish. Brahmana breathing tends to affect the chest and lungs more and anatomically fits better with back bending poses.

Langhana, which can translate as “to fast” or “to reduce,” refers to extending the length of the exhalation, with a possible pause or hold at the end of the exhale. Langhana practices tend to have a quieting and cooling effect on your system, so could be helpful in anxious or stressful times, as well as when you are generally depleted and need support. Langhana breathing tends to work better for forward bending practices and has a greater effect of the upper and lower belly, so could be good for processes of elimination.

In this system, unlike some others, you start working consciously with your breath with your very first asana sequence, since something called a “mini-vinyasa” is used. Instead of coming into a pose, say Warrior 2, and holding it for one to two minutes, with the mini-vinyasa method, you begin from a starting position, coordinate with your breath as you come into the full pose, and then return to the starting position with the next part of your breath. Typically this cycle is repeated about six rounds. 

As an example, for Warrior 2, you would begin with your feet four feet apart, adjusted as usual, with your arms relaxed to your sides. On an inhalation, you would lift your arms up parallel with floor and bend your front knee to 90 degrees. Then, on your exhalation, you would lower your arms and straighten your front leg. You would then repeat this cycle five more times. And after completing six rounds on the right, you would repeat six round on the left.

To any mini-vinyasa, you could apply the concept of langhana or brahmana.  In our example, since there is a natural expanding quality to the Warrior 2 pose, brahmana works more easily.  So, as you enter the pose, you could take a four second inhalation, pause for one to two seconds in the pose, and then exhale naturally out of the pose. If your breathing gets ragged after only one or two rounds, you may not yet be ready to do this brahmana variation, so go gradually. 

A full sequence or practice would involve a series of mini-vinyasa linked together to move you closer to your goal. To see illustrations of mini-vinyasa, see The Heart of Yoga by TKV Desikachar or Yoga for Wellness by Gary Kraftsow. 

We’ll continue our journey toward understanding sequencing in the style of Krishnamacharya next time in Part 3!

Tuesday, April 10, 2012

Three Happy Endings: Yoga for Better Sleep

by Nina

My friend Liz has a chronic disease but she takes great care of herself. She eats a healthy diet, and, when she is up to it, takes long walks and yoga classes at her neighborhood yoga studio. Because she has sleep problems, she recently decided to start practicing yoga at home as well, after she comes home at night. “It works!” she told me happily. “I sleep like a baby after doing yoga.” Today I decided to ask her what kind of yoga she does, and she said something very interesting. “It depends on what time I get home.” She went on to explain, “If I get home around 6:00 pm, I’ll do some flow yoga, with poses like Warrior 1, 2, and 3, and Half Moon pose. But If can’t practice until 8:00 or 8:30, that’s counter productive.”

“That makes perfect sense to me,” I said.

“Really?” Liz looked intrigued.

“Yes,” I explained. “Standing poses and vinyasa yoga are stimulating to your nervous system. When you stand up, your blood pressure has to rise to keep the blood pumping up toward your head. So if you do stimulating poses too close to bedtime, it’s going to be hard to go to sleep soon afterward. It’s like drinking a cup of coffee too late in the day.” Then I asked her what kind of poses she does if she can’t practice until 8:00 or 8:30.”

“Legs Up the Wall pose,” she replied. “And Shoulderstand and Plow pose. I also like to do that restorative yoga pose where you lie back on a bolster with your knees apart and the soles of your feet touching.”

“That’s perfect!” I said. “The first three are inverted poses, which automatically trigger the relaxation response. These are exactly the poses that are best to do right before bed to help you to sleep better. And that restorative pose is Supta Baddha Konasana or Reclined Bound Angle Pose, and it’s one of the most soothing and relaxing restorative poses.”
Flowers in the Shade by Brad Gibson
I went on to tell her that this is exactly the way I teach yoga for better sleep. It is important to get exercise during the day, but any vigorous exercise, including yoga, too late in the day can be over stimulating. So if you are having sleep problems, this is something you should consider when you are planning your day. Do your vigorous exercise, including standing poses, flow yoga, and backbends, earlier in the day. And try doing inverted poses, forward bends, or restorative yoga in the evening before bed to see if they help improve your sleep.

There’s no hard and fast rules, however. Liz discovered the best times for herself to practice vigorous versus relaxing yoga by experimenting. And the only way for you to find out the best times for yourself is by going through a similar process. However, I can tell you that if you take a nighttime yoga class and have difficulty sleeping afterward, when you come home, instead of getting right into bed, try practicing your favorite calming pose first and see if that helps.

Liz improving her sleep by practicing yoga at home is just one of the happy endings to this story. The second happy ending is that she made her home yoga practice her own by experimenting, observing, and coming up with her own yoga solutions that suited her particular needs and concerns. That, I told her, is advanced practice.

The third happy ending is that I asked Liz for her permission to write about her today, and she said yes. Thanks, Liz!

Friday, April 6, 2012

Friday Q&A: Squarers Beware!

Triangle Pose (Trikonasana) from Yoga: The Poetry of the Body
Q: Here’s a kind of fussy Iyengar question…and your response need not be Iyengar-based! What about that back-leg hip and leg rotation in Triangle pose? Many years ago I learned that, like the front leg, the back leg has an external rotation in triangle and that the hips should be squared up to face toward the front of the room. But I’ve also had teachers instruct to let the back-leg hip roll forward a bit. Does this represent an evolution in the understanding of the pose? Is there an Iyengar orthodoxy that may not be the best way for all of us to practice? What do you all think? How do you teach or practice triangle?

A: When I read your question, I heard my teacher, Donald Moyer, saying, "Squarers beware!" Yes, there definitely has been an evolution in the understanding of the positioning of the back leg in Triangle pose, as well as other related standing poses (Warrior 2, Extended Side Angle) in the Iyengar world. I asked Baxter to elaborate. —Nina

A: As you adjust your feet, turning your right foot out 90 degrees, and kicking your back heel back about an inch or two, your hips will naturally turn a bit toward the front leg. Let this happen! This position keeps the top back of your sacrum wide and relaxed, unlike what happens when you strongly externally rotate your back thigh bone or try to square your hips with the long edge of your mat.

The old school instructions tend to cause narrowing and bunching of the muscles and soft tissues of the left sacroiliac joint, in our present example, which over time I believe can contribute the sacroiliac joint dysfunction and lower back pain.  So, again, let your hips rotate a bit to the right. Once you tip your hips and spine out over the right leg, simply firm the inner edge of your back leg (adductors) toward the outer edge of your back leg (ileo-tibial band), and you will have a nice strong feeling in your back leg to assist in grounding of your back foot.  Maintain the rightward rotation of your pelvis, even as you rotate your upper belly and chest up toward your top arm. On more occasions than I can count, when I have taught this version of Triangle pose, the old schoolers comment on how much better the pose feels in the pelvis and lower back. See what you think! —Baxter

Thursday, April 5, 2012

Featured Pose: Standing Side Stretch

by Baxter and Nina

This simple pose is a wonderful all-over stretch. Like last week’s Upward Bound Hands pose, Standing Side Stretch, also called New Moon or Half Moon pose, is the perfect antidote to working with your arms down by your sides all day. Raising your arms overhead reverses the effect of gravity on your arms and reestablishes the full range of motion of your collar blades and shoulder blades. This pose also lengthens the front of your legs and the backs of your knees, which are typically closed in the sitting position. Side bending brings greater length and opening to the muscles and joints on your side body, and stretches the muscles that run from the shoulder blades to upper arms, from lower back to the arm bones, and all the side waist and side hip muscles.

In addition, by taking your spine into conscious side bending, a movement that occurs rarely in every day living, you are helping to maintain the mobility of your spine, nourishing the joints and disks.

Lengthening the sides of your torso is a good preparation for back bends, forward bends, and twists. It’s also a good way to warm up for standing pose, and for seated poses that involve side bending, such as Revolved One-Legged Forward Bend or Gate pose. This pose takes up very little space and requires no props, which is why we’re including it in our office/travel yoga practice. If standing isn’t possible, you can do the arm position and side bending from a seated position.

Baxter prescribes this for:
  • Shoulder stiffness
  • General strengthening needed due to weakness or fatigue
  • Improving breathing for conditions such as asthma and COPD
  • Stabilizing the knee joint (for people with knee injuries)
  • A counter-pose for runners, bikers and hikers, who tend to hold a lot of tension in their lateral hips
  • Carpal tunnel (because releasing the shoulders can be helpful for the hands)
  • Rotator cuff injuries
  • Arthritis
  • Balance problems (because you are shifting the weight slightly from one foot to another)
Instructions: Start by standing in Mountain Pose, with your feet about hips-width apart (or sit on a chair with your feet flat on the floor). Strengthen your legs, pressing from your hips into your feet. Then, on an inhalation, bring your arms forward and up, with the palms facing each other. Lengthen your spine and lift your collarbones as your lift your shoulder blades. Move your arms toward a vertical position, keeping your head in a neutral position. Once you encounter resistance in your shoulders or upper back, resist the impulse to take your arms further back.

Now, on an exhalation, let your hips shift to the left a few inches as you tip your torso and upper body to the right, making sure you’re not rotating your hips or chest as you do so. As you tip to the side, maintain the parallel relationship between your arms. Also, keep your head evenly positioned between your arms, and in a neutral position, aligned with your spine, your eyes gazing forward.
As you maintain the side bend, press strongly from the hips down into the feet, especially from the left side. Some people have a tendency to collapse the right side of the body as they stretch the left side. So encourage a sense of length on both sides of your torso, even on the concave side. Because your body is dropping to the side and gravity is trying to pull your deeper into the pose, this is pose is muscularly demanding. Therefore, stay in the pose for just six breaths, maximum.

You can do this pose dynamically as a preparation for the Moon Salute by inhaling to one side, exhaling back to center, inhaling to the other side, and then exhaling back to center. Repeat the pattern up to six rounds.

When you are reading to come out of the pose, return to vertical on an exhalation. On your next exhalation, let your arms float back down to your sides. Exhale back to vertical. On the following exhalation, let your arms float back to your sides.

If raising your arms overhead is not possible, you can do a side stretch with your hands on your hips as shown below. While this does not provide the same stretch for your shoulders, you still get the benefit of the torso stretch and spinal side bend. 
Cautions: In general this is a pretty safe pose. However, you should approach the pose cautiously if you have significant arthritic pain in your neck or lower back or a history of osteoporosis, especially in the lower spine. Stop immediately if it fires up your pain. Because your arms are overhead, and you are holding the pose statically, this pose can be challenging for heart conditions or high blood pressure. For those conditions, do the pose dynamically, moving in and out of the pose with your breath.

If your SI joint is unstable, be sure to lift your torso away from your hips as you bend to the side. If you have shoulder problems, you can spread your arms wide or practice with your hands on your hips.

Wednesday, April 4, 2012

Strength and Aging

by Shari and Nina
I recently wrote a post (see Aging: Terms and Theories) about how little scientists understand about the aging process. However, even if scientists don't understand why we age, medical professionals observe the results of the aging process in our changing bodies. Because strength is such an important factor in our ability to continue to be healthy and independent as we age, I decided to talk with Shari about the relationship between strength and aging. —Nina

Q: Is it true that as we age, we tend to lose strength?


A: How does one define strength? Is it a combination of ease of movement throughout space? Is it how much weight we can lift or push? Is it our mental acuity and belief systems? Is it the capacity for action? Strength is a concept that can be addressed on multiple levels when we discuss the process of aging.

Some people have such indomitable will that they force their bodies to do what they want with utter conviction Some people have the mental strength to take what life throws at them and always put a positive spin on it no matter what the circumstances may be. Some people always appear to be at ease in whatever situation they find themselves. And some people are vital and engaging, and radiate joy.

However, if we talk about it in only muscular skeletal concerns then, yes, there is a change in physical strength as we age. The term “sarcopenia” refers to the degenerative loss of muscle mass and strength that is associated with aging.

Sarcopenia is due to many factors. The composition of our muscle fibers changes from being able to contract quickly and explosively to slower contraction rates. There are also changes in how the information is transmitted through the central nervous system and the “rate of processing information” slows down. There are also changes in our proprioceptive system, that is, in how we sense where our body and its various parts are in space. Our range of motion may change with a decrease in our stamina and our overall flexibility due to system trauma (acute and chronic diseases, decrease in endurance and cardiovascular efficiency). And our genetic predisposition to disease will also affect our overall strength.

Q: Why is it important for us to keep up with strength building as we age?


A: The common adage “use it or loose it” should be our mantra for healthy aging. Our bodies need to keep moving in whatever capacity we can! To continue to move builds strong bones. To continue to move encourages cardiovascular health and respiratory health. To continue to move diminishes depression. To continue to move allows us to maintain our independence. The list of the benefits of movement goes on and on.

But I think attitude is primary in healthy aging. Acceptance is a very yogic principle and we don’t need to give it a fancy Sanskrit name. Graceful acceptance of our changes as ways to embark on new paths is different from mourning what you can’t do, and looking to the past instead of the present is overwhelmingly demoralizing. Positive thinking and acceptance is healthier overall, all while not ignoring any changes. To find equilibrium, we need to progressively continue to “push our limits” while also respecting our limitations.

Q: How can yoga help us maintain strength as we age?


To answer the question on how to maintain strength as we age with yoga I would say commit yourself to a one-pose practice daily. When that is easy and doable because you don’t miss a day, then increase it to two poses, then three poses, and so on. I would say work on something that challenges your balance first and then work on something that challenges your strength. Isometric holds in yoga build strength so do whichever pose you want and time it for 20 seconds to start. Yoga is not on the fast track. It is slow, consistent practice that pays off.

Q: Which are some of your favorite strength building poses and why?

A: My favorite pose right now is Plank pose on your forearms (rather than just on your hands). This version builds core strength and doesn’t hurt your wrists. But my “favorite” strength building pose changes depending on how my body is feeling on any particular day.

For simple leg strengthening, Utkatasana (Chair or Fierce Pose) is a favorite. If the full pose is not accessible to you, you can practice it by learning how to get up off a chair without using your arms. And if that variation isn’t possible, you can learn to sit down without using your arms.

Warrior 2 (Virabhadra 2) is another good leg strengthener. If you can’t do the full pose in the middle of the room, you can start by sitting on a chair. While still seated, position your legs into the Warrior 2 stance, and then slowly lift up off the chair.

Side Plank pose (Vasithasana) done standing up with one hand on the wall builds lateral torso strength as well as arm strength. If you have wrist problems, you can place your entire forearm on the wall, rather than just your hand.

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Sequencing in the Style of Krishnamacharya, Part 1

by Baxter

We have spent some time on this blog talking about how BKS Iyengar and his teachers in the US approach the concept of sequencing yoga poses to create a practice. This is of practical value if you want to design and practice Iyengar style yoga on your own at home. It can also give you insight into the class you took last week as you try to understand the framework that your teacher may have used to put the class together.

But there are so many other yoga traditions and sequencing styles! Today, I'm going to begin exploring how to design a sequence in the tradition of Krishnamacharya. For those unfamiliar with T Krishnamacharya, he is sometimes considered a kind of godfather of modern Hatha Yoga practice.  And although he never traveled to the US to teach in his lifetime, many of his students who became advanced teachers have, most notably his son and grandson, TKV and Kaustub Desikachar.  Some of us in the US know this style of yoga as viniyoga, but this is a name that Gary Kraftsow, one of Krishnamacharya’s American students, coined.  TKV Desikachar prefers to say that they teach yoga in the tradition of Krishnamacharya, and that calling it “yoga” is sufficient without other branding.
Trunk and Branches by Brad Gibson
Two foundational concepts will assist us in looking at this way of sequencing: first, a yoga practice has goals, overriding ones and personal, individual ones, and second, the yoga practice you do today has to take into account all the personal variables of your life as it is today. This makes attending public classes a challenge from this system’s perspective. They consider it essential that you have do a good amount of svadyaya, or self-study, before or as you begin to practice to get very clear on where you are starting from and where you would like to go.

In addition, there are three stages of life that will help to determine the kind of practice you will do, and an analogy to the tree is used.  Regardless of which stage you are at, this system uses the Yoga Sutra concepts of sthira and sukha as underlying qualities you will be cultivating in your practice.  Sthira can be thought of as firm and steady, and sukha as gentleness. So you will be balancing these two different aspects no matter what yoga tools you employ in your sequence (for example, a practice that incorporates asana, pranayama and mantra).

Using this as the foundation of developing a practice, you put into action via something called vinyasa krama.  Desikachar defines the term as follows: 

Krama is the step, nyasa means “to place,” and the prefix vi- translates as “in a special way.” 

So you have to have a correct direction in order to have success with your practice.
Then there is the decision on what part of the “tree” you are.  When you are young, you are like the twig on a tree, young, flexible, yang in nature, strong.  Designing a practice for this group of people is known as “Svsti Krama,” and would resemble what in the west is knows as power flow or Ashtanga in the Pattabi Jois style.  For those of us after about 25 years of age, we are looked upon as more like the branch of the tree, a bit less flexible, a bit more differentiated in personality, thinking and body. These are the students who need to study their individual characteristics prior to jumping full bore into practice. This style of practice is termed “Raksana Krama.” Finally, for those with illness of any kind, the practice requires greater care in designing and the style is called “Cikitsa Krama,” cikitsa meaning “therapy.”

No matter which group or age category you personally fall into, Desikachar suggests that you start out where you are, taking a gradual and intelligent course in your practice, looking towards a certain goal. Then you choose the steps and tools to lead you towards your goal. Next time, we’ll start to get into the practical nuts and bolts of how to make that happen.

Tuesday, April 3, 2012

Stuck in a Rut?

by Nina

I don’t know about you, but sometimes I get stuck in a rut with my yoga practice. I have a few different sequences that I’ve developed for myself, and I tend to fall back on them again and again. Then I start to get a little bored. So lately I’ve been making a conscious effort to change things up a bit. Of course it would be a lot of work to write a completely new sequence for myself every day. So instead I’ve been focusing on spicing up my typical sequences. It’s kind of like deciding to remodel a room in your house by making just a few changes, such as buying new curtains or throw pillows, rearranging the pictures, or even just by adding a vase of fresh flowers. Sometimes a small change can make everything else look different.
Front Yard in Austin by Nina Zolotow
 Here are a few tips for “remodeling” your home practice:

1. Add a new pose to your sequence, one that you never practiced at home before or haven’t practiced in a long time. I’m pretty good about working my way through the various standing poses on a regular basis, but I always forget about Dancer’s pose for some reason. Welcome back, Dancer's pose!

2. Replace a stretch you typically do one way with another pose that stretches the same area. For example, to stretch the fronts of my thighs of my thighs the other day, I tried replacing my Reclined Hero Pose with Frog pose. I hadn’t done that in years!

3. Subtract a pose you always do just to see what happens. Do you always practice Downward-Facing Dog or Triangle pose? What would happen if you skipped them? Would your other poses feel different?

4. Start working on a pose you think you “can’t” do. For example, maybe you think you can’t do arm balances, but even taking the shape of a pose like Crow without lifting your feet off the ground is doing a form of the pose. Maybe you can even lift one foot off for a second or two. Keep it light and playful, and you might find this adds a new element of fun to your practice. 

5. Face down a pose that you dislike. On a day when you feel up to it, try doing that pose that you really dislike (you know which one I mean) just briefly. Whew! Sometimes it can be exhilarating to take on something you’ve been avoiding (kind of like finally cleaning out your closet).

Readers, do you have any other tips for spicing up a sequence? Let us know in the comment section!